Wall Art
Surah An-Nas Calligraphy Panel — Acrylic Islamic Wall Art
Surah An-Nas, the closing chapter of the Qur'an, set out in full across two lines of classical Thuluth. The opening word qul stands apart at the right, drawn oversized, its long upright and deep bowl giving the whole composition its spine. The six verses run from a’udhu bi rabbi n-nas to mina’l-jinnati wa n-nas, ascenders and vowel marks interlocking so the two lines read as a single dense band rather than as separate rows. It is cut as one panoramic panel, with the ground above and below left open so the band carries on its own.
The proportion wants a wall that is wider than it is tall — above a majlis sofa, a console or a sideboard, along a corridor, or over a bed where an upright piece would crowd the headboard. At 120 cm wide the panel stands about 71 cm tall, so check your drop before choosing a size. Gloss piano black reads as a clean silhouette against pale plaster and holds the fine vowel marks sharply. Mirror gold warms under lamplight and sits well on a darker wall. Mirror chrome silver stays cooler and more architectural.
- Material: 3mm cast acrylic, cut on the CO2 laser in our own Dubai workshop.
- Finishes: gloss piano black, mirror gold, or mirror chrome silver.
- Sizes: stated by width — 60, 80, 100 and 120 cm; height scales in proportion, roughly 36 cm to 71 cm.
- Mounting: float-mounted — it sits off the wall rather than flat against it.
- Made in the UAE: drawn, cut and finished in our Dubai workshop.
- Gifting: a steady choice for a new home, a wedding or a housewarming — the surah is a daily prayer for protection rather than a seasonal piece.
Every piece is cut to order in our Dubai workshop: allow 1–3 working days before dispatch, then 1–2 days in transit anywhere in the UAE. Delivery from AED 30 — cash on delivery is available. Standard pieces can be returned within 7 days, unused and in their original packing (return shipping is paid by the customer); personalised pieces are made for you and are not returnable unless faulty.
